Hey, this is just a link to a post I wrote on another blog, the one my seminary is doing for Lent.
http://upsemlentenblog.wordpress.com/2014/03/16/genesis-121-4/
Enjoy!
Tuesday, March 18, 2014
Monday, March 17, 2014
Nuns Wearing Tutus
Not really, I just thought that might get your attention. I've been thinking about "the nones." Sometime in the last couple years, polls started showing an increase in people who marked "none" under religion. Here's a pretty good rundown of it. People who mark other things under religion flipped and freaked. OMG! SOME PEOPLE AREN'T CHRISTIAN! SOME PEOPLE AREN'T EVEN RELIGIOUS! HOW CAN THIS BE AND WHAT ARE WE TO DO?!
I don't mean to make fun of people who are concerned about this information, but I am a little confused about why it came as such a huge shock to Christians and other religious people. The nones went up from about 15 to about 20 percent over 6 years. I don't see that as an alarming spike, just an indicator of a natural movement, though maybe that does count as alarming. Among young people, it was more like 30%. That actually seems low to me. So I am concerned as well, not that there are so many nones, but that the church people didn't realize it. Who have they been hanging out with? Are church people spending so much time with other church people that they seriously didn't know a minority of people do not consider themselves religious?
The next question, of course, is why and what now. The why seems somewhat easy to me too, which brings us to the tutu part. I read a quote from Desmond Tutu a few weeks ago, and I've been turning it over in my head ever since. He's talking about the experience of Africans being visited by Christian missionaries, with "he" being African people in a collective sense.
The next question, of course, is why and what now. The why seems somewhat easy to me too, which brings us to the tutu part. I read a quote from Desmond Tutu a few weeks ago, and I've been turning it over in my head ever since. He's talking about the experience of Africans being visited by Christian missionaries, with "he" being African people in a collective sense.
"...he was being redeemed from sins he did not believe he had committed; he was being given answers, and often quite splendid answers, to questions he had not asked."
That describes a lot of people's experience. You definitely don't have to be African to feel like certain expressions of religion are irrelevant, just meaningless to your life. Even I have felt that way sometimes, and I'm in ministry! I had never quite thought of it the way he put it: answering questions that aren't being asked. I wager that's at the root of what many of those unaffiliated people would say. They're into serving their communities, donating time and money, and often meditating or discussing sacred texts. They feel like they can do those things without church, and they're absolutely right. They can. They are getting the answers to some of their questions in these places. How can I connect meaningfully with other people? How can I enrich my own and others' experience of life? How can I slow down and find peace? The churches that thrive and draw these people are the ones that pay attention and offer responses to these questions. The churches that are "dying"? Those are the ones whose answers don't line up with people's real questions. Heaven and hell, right and wrong, who's in and who's out...in my experience, people don't worry too much about these things, at least not as much as living a rewarding, compassionate life.
I'm not saying the church should abandon its agenda and start playing to the crowds. I'm saying the church's interests are really quite well-aligned with most people's interests: relationships, wholeness, sustainability, big questions about selflessness and sacrifice and what love looks like in any given moment. Those binary questions like right and wrong, if they come up at all, can easily be addressed within these compelling frameworks. And it's not a hide-the-pill-in-the-peanut-butter thing either, like we're giving people something attractive in order to slip in something difficult. No, it's more like when I was teaching Creative Writing to college students. I knew I wanted to teach David Sedaris (fangirl moment OMG he's the best!). My first semester, I chose the shortest essay in the one book of his I had at the time, Me Talk Pretty One Day. I chose it only for its length, thinking anything by him would get the job done and of course students like to read fewer pages.
Me Talk Pretty One Day is divided into two parts, one about growing up in North Carolina and one about living in France. This essay came from the France part, and I thought it was hilarious because I had majored in French. The humor had to do mostly with the language. It didn't occur to me that other people might not be as amused as me, but the students, of course, just found it strange.
The following semester, I taught another essay from the same book, from the North Carolina part, chosen on advice from more-experienced TA's. The students loved the essay. Every semester, they loved it. No one ever said it wasn't funny or wasn't good. It was longer by a few pages, but they were more than willing to go there. It also had a lot of cusses, which didn't hurt.
What I mean is, sometimes a certain thing makes sense on paper. It's shorter, seems easier, in some situations it's just right. I can't tell you how much I loved that first essay. And we might think people want easy teachings about what's right and wrong, what to do and not to do. But context is everything. If there's no point of contact in someone's reality, if they don't know the language, forget it.
This college where I taught was in North Carolina. Most of the students were from North Carolina. The second essay took place in North Carolina and had to do with some cultural things about North Carolina. That was available to me the whole time, but because I assumed they wanted something shorter, I first chose the essay that was rather alien to most of them. That was a mistake in several ways. If the topics arise from what is already on their minds, if they are drawn in by what they recognize, the difficulty level is not a problem. People will do so much more work when it matters to them. They will read the extra pages, they will take all the time necessary, they will pay attention, because they are being taken into account and addressed directly. Someone has been listening to them, and they notice that feeling. In that state, people are more than willing to do the difficult work of exploring non-binary, ambiguous questions.
It was really hard for me to hear that my students didn't like the first essay. It was hard to let go of teaching it. I cared about it, and I wanted so badly for everyone else to care too. But you know what? I couldn't tell you a thing about it now. The second one, though, I know intimately, years later. If you and I are ever at a cocktail party, don't bring it up unless you want me to corner you all night talking about this essay. Every time I think about it, I remember my students and the time we spent together. I am so glad I paid attention to what they cared about, because it turns out I care about it too. When I set aside the first essay and picked up the second, I lost nothing but my pride. If I had insisted that we keep reading the first one just because it was meaningful to me, I wouldn't have been a very good teacher. When we insist on doing church a certain way just because it is meaningful to us, without a thought for people who might be interested if we made some changes, we are not being very good friends or neighbors.
And here's some profoundly good news for those of us who feel a sense of loss when we let go of our preferences. Some of my students have almost certainly picked up the book and read the first essay along with all the others. They probably liked it, even though it wasn't appealing as an introduction to Sedaris. Because the second essay worked for them, they were interested in reading more. When we offer compelling introductions, people pick up from there and eagerly pursue the topic with an excitement that surprises everyone. Those texts that once seemed irrelevant and distant become the site of fruitful discussion and lush growth. The church traditions that come off as dated might be renewed and enlivened with the right interpretation. No essay is too hard to read, no question too hard to ask. It just requires the right introduction, the questions lining up. Answers not guaranteed.
That describes a lot of people's experience. You definitely don't have to be African to feel like certain expressions of religion are irrelevant, just meaningless to your life. Even I have felt that way sometimes, and I'm in ministry! I had never quite thought of it the way he put it: answering questions that aren't being asked. I wager that's at the root of what many of those unaffiliated people would say. They're into serving their communities, donating time and money, and often meditating or discussing sacred texts. They feel like they can do those things without church, and they're absolutely right. They can. They are getting the answers to some of their questions in these places. How can I connect meaningfully with other people? How can I enrich my own and others' experience of life? How can I slow down and find peace? The churches that thrive and draw these people are the ones that pay attention and offer responses to these questions. The churches that are "dying"? Those are the ones whose answers don't line up with people's real questions. Heaven and hell, right and wrong, who's in and who's out...in my experience, people don't worry too much about these things, at least not as much as living a rewarding, compassionate life.
I'm not saying the church should abandon its agenda and start playing to the crowds. I'm saying the church's interests are really quite well-aligned with most people's interests: relationships, wholeness, sustainability, big questions about selflessness and sacrifice and what love looks like in any given moment. Those binary questions like right and wrong, if they come up at all, can easily be addressed within these compelling frameworks. And it's not a hide-the-pill-in-the-peanut-butter thing either, like we're giving people something attractive in order to slip in something difficult. No, it's more like when I was teaching Creative Writing to college students. I knew I wanted to teach David Sedaris (fangirl moment OMG he's the best!). My first semester, I chose the shortest essay in the one book of his I had at the time, Me Talk Pretty One Day. I chose it only for its length, thinking anything by him would get the job done and of course students like to read fewer pages.
Me Talk Pretty One Day is divided into two parts, one about growing up in North Carolina and one about living in France. This essay came from the France part, and I thought it was hilarious because I had majored in French. The humor had to do mostly with the language. It didn't occur to me that other people might not be as amused as me, but the students, of course, just found it strange.
The following semester, I taught another essay from the same book, from the North Carolina part, chosen on advice from more-experienced TA's. The students loved the essay. Every semester, they loved it. No one ever said it wasn't funny or wasn't good. It was longer by a few pages, but they were more than willing to go there. It also had a lot of cusses, which didn't hurt.
What I mean is, sometimes a certain thing makes sense on paper. It's shorter, seems easier, in some situations it's just right. I can't tell you how much I loved that first essay. And we might think people want easy teachings about what's right and wrong, what to do and not to do. But context is everything. If there's no point of contact in someone's reality, if they don't know the language, forget it.
This college where I taught was in North Carolina. Most of the students were from North Carolina. The second essay took place in North Carolina and had to do with some cultural things about North Carolina. That was available to me the whole time, but because I assumed they wanted something shorter, I first chose the essay that was rather alien to most of them. That was a mistake in several ways. If the topics arise from what is already on their minds, if they are drawn in by what they recognize, the difficulty level is not a problem. People will do so much more work when it matters to them. They will read the extra pages, they will take all the time necessary, they will pay attention, because they are being taken into account and addressed directly. Someone has been listening to them, and they notice that feeling. In that state, people are more than willing to do the difficult work of exploring non-binary, ambiguous questions.
It was really hard for me to hear that my students didn't like the first essay. It was hard to let go of teaching it. I cared about it, and I wanted so badly for everyone else to care too. But you know what? I couldn't tell you a thing about it now. The second one, though, I know intimately, years later. If you and I are ever at a cocktail party, don't bring it up unless you want me to corner you all night talking about this essay. Every time I think about it, I remember my students and the time we spent together. I am so glad I paid attention to what they cared about, because it turns out I care about it too. When I set aside the first essay and picked up the second, I lost nothing but my pride. If I had insisted that we keep reading the first one just because it was meaningful to me, I wouldn't have been a very good teacher. When we insist on doing church a certain way just because it is meaningful to us, without a thought for people who might be interested if we made some changes, we are not being very good friends or neighbors.
And here's some profoundly good news for those of us who feel a sense of loss when we let go of our preferences. Some of my students have almost certainly picked up the book and read the first essay along with all the others. They probably liked it, even though it wasn't appealing as an introduction to Sedaris. Because the second essay worked for them, they were interested in reading more. When we offer compelling introductions, people pick up from there and eagerly pursue the topic with an excitement that surprises everyone. Those texts that once seemed irrelevant and distant become the site of fruitful discussion and lush growth. The church traditions that come off as dated might be renewed and enlivened with the right interpretation. No essay is too hard to read, no question too hard to ask. It just requires the right introduction, the questions lining up. Answers not guaranteed.
Sunday, March 2, 2014
Up and Down the Mountain: Sermon for Transfiguration Sunday, March 2, 2014
Our New Testament reading is Matthew 17:1-9. Listen for
what God is telling you.
Jesus took with him Peter and James and his brother John
and led them up a high mountain, by themselves. 2 And he was transfigured before them, and his face shone
like the sun, and his clothes became dazzling white. 3 Suddenly there appeared to them Moses and Elijah, talking
with him. 4 Then
Peter said to Jesus, “Lord, it is good for us to be here; if you wish, I will make three dwellings here, one for you, one for Moses, and one
for Elijah.” 5 While he
was still speaking, suddenly a bright cloud overshadowed them, and from the
cloud a voice said, “This is my Son, the Beloved; with him I am well pleased; listen to
him!” 6 When the disciples heard this, they fell to the ground and
were overcome by fear. 7 But Jesus
came and touched them, saying, “Get up and do not be afraid.” 8 And when they looked up, they saw no one except Jesus
himself alone.9 As they were coming down the mountain,
Jesus ordered them, “Tell no one about the vision until after the Son of Man
has been raised from the dead.”
This is the word of God
for the people of God. Thanks be to God.
Once upon a time, I climbed a mountain. It was a nice day,
not too hot or too cold. Light-sweatshirt weather. I had several water bottles
in my backpack, a good pair of worn-in shoes, and two friends going with me. We
worked together in that national park.
I’ve never
been a very fast-moving person, so I fell behind the others periodically. That
was normal for me and not distressing. I might lose sight of them for a moment,
but as I came up to a clearer spot, they would come into view again. Sometimes
I’d catch up and we’d walk and talk for a while. There wasn’t much of a path, just
a general idea of the direction of the peak.
This
mountain had a series of basically very large stairsteps. Taller than a person
in places. When we got to those, it was much harder to keep my friends in sight
because these ledges blocked my view. But eventually I would spot them. Until I
didn’t. One stair-step too far between us, or maybe one too many water breaks
on my part, and I didn’t know where they were. Which meant I didn’t know where
I was, in a way. I had been following them, if somewhat windingly, and when
you’re not following someone things can change pretty quickly from a fun little
hike to a disorienting and potentially upsetting experience. I tried to figure
out how far up I was, which is really hard when you’re on the mountain. I
picked up my pace hoping to catch up, but with increasingly uneven terrain I
knew there were too many rocks and rises blocking my view. I decided to go on—I
knew which way was up, after all, and I didn’t know of any clear and present
dangers on that mountain. I might never have the chance to get to the peak
again. So, periodically yelling for my friends and to keep bears away, I went
slowly up and up. The soil was gravelly and loose, so I slipped a few times.
Once I grabbed a small tree to pull myself up and it moved with me! The closer
I got to the top, the less willing I was to turn around.
I got there
eventually. I took some pictures, I think. Drank some water. Rested for a bit
before heading back down. It was pretty cool, I could see a lot, a couple
smaller rises and trails I had been on before, the hotel where I worked and the
building I lived in, the one road out of the park. But, as interesting and
different as it was, I never would have wanted to stay. The mountaintop is a
lonely place; there’s not much to do except look around.
In the time and place where the
Bible was written, mountains were considered a literal bridge between heaven
and earth, which meant a way to get direct access to the gods. People went
there for mystical experiences and rites of passage. You’ve probably heard of
Mount Olympus, where all the Greek gods like Zeus and Hera lived. If they came
down, it was atypical and noteworthy. Divine folks did not deign to mix with
the lowly mortals unless there was a reason.
So it makes
some sense that mountaintops figure prominently in our two stories today, with
Moses and Jesus. That was how the readers’ worldview thought of divine
encounters. But in both cases, something is so different from Zeus and Hera and
their friends and foes. Namely, God is saying in both cases, “I don’t want to
stay here. This mountaintop is a lonely place. There’s not much to do except
look around.” God is saying, “I would rather be with people. This mountain is
not for me.”
In the
Moses story, God has been communicating with the people of Israel mostly through
him, through Moses. But now God writes down the ten commandments, which begins
the process of, in a sense, cutting out the middle-man. With this law, God’s
people can begin to handle their own relationship with God. It’s still in a
somewhat limited sense, but later God will put the law in their hearts, and
then God will send Jesus, and then…well, then Jesus will go up on another
mountain.
Peter,
John, and James are with him. They’re not prepared at all for what happens up
there. No one would be, really. So when Peter makes a somewhat bizarre
statement, surely part of it is just the awkwardness of not knowing what to
say. “It is good for us to be here! We should set up some sort of structure!” Maybe
he also wanted something to do with his hands. At any rate, Moses and Elijah
had appeared, Jesus was all lit up, so they were already pretty flustered when
something even more crazy happened—a voice from heaven! “This is my son, the
beloved, with whom I am well pleased. Listen to him.” It makes you want to pay
extra attention to the next thing Jesus says, doesn’t it? So what are his next
words? “Get up, and do not be afraid.” He says this while touching Peter’s
shoulder. So this God, this mountaintop God who likes to dress up as a cloud or
fire or blinding light, who speaks from heaven and makes people quake with
fear—this same God is the one who touches us with a human hand and reminds us
we don’t have to be afraid. It’s the same God who dwells with us, who is always
moving to guide us. Even in cloud form in Exodus, God didn’t stay on the
mountain.
So if this
flashy mountaintop God is not the center or the extent of who God is, why do
it? Why put on the show? Maybe God just thinks it’s fun to freak us out
sometimes. But probably it’s something more than that. I think God gives us
dazzling moments where God’s presence is obvious in order to sustain us through
the times we can’t be sure. This is going on in both stories. In Exodus,
several chapters before and after this scene are the type that some people skip
over. I don’t know who those people might be, but I hear it happens sometimes.
Before Moses goes up the mountain, it’s legal minutiae about how the community
should be run, how the people of God should live and work together. Afterward,
it’s detailed building instructions for the temple! So detailed! Down to the
type of wood to use and the measurements of the curtains. And in between, in
the middle of all that mundane material, we have this transfigurative
experience. Isn’t that how it goes? Doesn’t God usually catch us off guard when
we think life is just utterly normal? It’s less about topography and more about
divine moments amid the mundane ones.
And, in Matthew, the worse than
mundane. Immediately before this scene, Jesus asked what people were saying about
him, which led to Peter’s confession that he is the Messiah, which led to Jesus
telling them that he was going to suffer and die. Maybe they went on the hike
just to be distracted and to get away from the other guys’ gloomy reactions.
Anything to get their minds off such terrible news. That’s not what you want to
hear about your leader or anyone you love. It doesn’t make sense! And after the
transfiguration, right on the way back down the mountain, they encounter a man
and his son, who is possessed by demons. The father says, “He often falls into
the fire and often into the water.” So this boy is burned, maybe even
disfigured. Worse than mundane. Not long after that, the momentum starts to build
more quickly for Jesus’ crucifixion. There’s no turning back and no denying
that he meant it and knew what he was talking about when he said he would
“undergo great suffering at the hands of the elders and chief priests and
scribes, and be killed, and on the third day be raised.” And in between, in the
middle of all that anxious, fearful, sad, unsettling material that doesn’t make
sense, we have this transfigurative experience. Isn’t that how it goes? Doesn’t
God usually find us when we need God most? Not always, from our perspective.
Sometimes we just don’t feel God’s presence even when that’s what we most want.
But sometimes, these mountaintop moments happen in the lowlands, the wadis, at
sea level, in the Marianas Trench, the deepest part of the ocean. It’s not
about topography. It’s about God being utterly obvious—flashy, loud,
unmistakable—at times we don’t choose or understand. Times when God is
preparing us for endurance through mundane boring ol’ life. Or when we have
just gotten bad news, like the apostles, and are about to see it unfold while
we can do nothing. God knows when we really need a transfiguration.
Regardless of where those needs
align in our lives, liturgically, we’re in the situation of Peter, James, and
John. The season of Lent starts on Wednesday. We’re standing on a great big
peak, looking down on the time that we set aside to remember the really
terrible, hurtful things about Jesus’ death. Things that almost everyone
struggles to accept, understand, or even believe. We’re supposed to leave this
high place and go down there. Here is the good news on this particular day,
which may be the best news of all. God has already left the mountain. Oh, God
is with us up here, most certainly, but God also knows the depths of every
valley. God lives there, in the lowlands, where the light does not touch. God
went first, so it is safe for us. When we look out at everything Lent means for
us and crumple to the rocky ground, God reaches out to us with human hands and
says, “Get up. Don’t be afraid.”
Labels:
Exodus 24:12-18,
faith,
hiking,
light,
Matthew 17:1-9,
mountains,
sermon,
Transfiguration
Friday, February 28, 2014
An Open Letter
Dear ten-year-old girl who said before praying, "It's not going to be good. I don't know how to do it":
Dear high-schoolers who are intellectual and introspective in a town of people who are just trying to get by:
Dear women who act ditzy when you are smarter than most people around you:
I am sorry that when I was in third grade I said my favorite school subjects were P.E. and lunch when in fact I loved reading and social studies and science. I knew already that it wasn't cool to be smart or even to be interested in school. Because I didn't own it, you're having a harder time knowing how powerful and intelligent and worthy you are. And you are. It's OK if you like P.E. and lunch. It's OK if you like reading and social studies and science. It's OK if you like history. It's OK if you like your teachers. It's OK if you like school. It's OK if you don't.
I am sorry for the time in high school when, giving an example about spending money, I said, "Like if you buy a book--I mean, not that I would buy a book--a CD or something...." When in fact I loved books so much, and still do. I betrayed myself and you, I betrayed all of us. I reached through the years and put out my hand to hold you down. We all did. We all do.
I am sorry for not wearing my patchwork hippie shirt for about five years in high school and college because it made me stand out too much. I was complicit in creating a culture where people are not rewarded for standing out, no matter how much it is spoken of as a good thing. I was playing the game of fitting in. Please know: it's so overrated. The rules keep changing and nothing but luck can win it. That shirt got so many compliments when I brought it out of hiding. Fitting in is fine if what you want happens to be what many others want, but it can happen by coincidence, as a result of other choices, not as a reason for them.
This is not a letter about guilt. Feeling sorry doesn't always mean feeling guilty. I was acting based on what I understood and wanted at those times. I don't want anyone else to feel guilty about what they have chosen in the past, especially when they were very young. No, this is a letter about freedom. A letter about light. Awareness. Recognition. Support, strength, empowerment. This is a letter about learning from the way my life is shaped by others, trying to push back gently and encourage others to do the same. Here we are, simmering in our individual pots of shame and fear. Let's remember we're all here, and everyone is so different with different reasons for different choices, but we can start by peeking over the top of the pot to see who else is simmering nearby. Then we can pull ourselves up--a huge effort, not for the faint of heart, but luckily none of us are faint of heart. Then we can sit on the sides of the pots and talk, cooling ourselves in the air. When one person falls in, the others can reach out and pull them, or jump in and buoy them. But no one has to keep simmering forever. I invite you to start getting ready for the climb out. The water makes it harder because it offers resistance, but that means you will build muscle so much more quickly.
Love,
Rachel
Dear high-schoolers who are intellectual and introspective in a town of people who are just trying to get by:
Dear women who act ditzy when you are smarter than most people around you:
I am sorry that when I was in third grade I said my favorite school subjects were P.E. and lunch when in fact I loved reading and social studies and science. I knew already that it wasn't cool to be smart or even to be interested in school. Because I didn't own it, you're having a harder time knowing how powerful and intelligent and worthy you are. And you are. It's OK if you like P.E. and lunch. It's OK if you like reading and social studies and science. It's OK if you like history. It's OK if you like your teachers. It's OK if you like school. It's OK if you don't.
I am sorry for the time in high school when, giving an example about spending money, I said, "Like if you buy a book--I mean, not that I would buy a book--a CD or something...." When in fact I loved books so much, and still do. I betrayed myself and you, I betrayed all of us. I reached through the years and put out my hand to hold you down. We all did. We all do.
I am sorry for not wearing my patchwork hippie shirt for about five years in high school and college because it made me stand out too much. I was complicit in creating a culture where people are not rewarded for standing out, no matter how much it is spoken of as a good thing. I was playing the game of fitting in. Please know: it's so overrated. The rules keep changing and nothing but luck can win it. That shirt got so many compliments when I brought it out of hiding. Fitting in is fine if what you want happens to be what many others want, but it can happen by coincidence, as a result of other choices, not as a reason for them.
This is not a letter about guilt. Feeling sorry doesn't always mean feeling guilty. I was acting based on what I understood and wanted at those times. I don't want anyone else to feel guilty about what they have chosen in the past, especially when they were very young. No, this is a letter about freedom. A letter about light. Awareness. Recognition. Support, strength, empowerment. This is a letter about learning from the way my life is shaped by others, trying to push back gently and encourage others to do the same. Here we are, simmering in our individual pots of shame and fear. Let's remember we're all here, and everyone is so different with different reasons for different choices, but we can start by peeking over the top of the pot to see who else is simmering nearby. Then we can pull ourselves up--a huge effort, not for the faint of heart, but luckily none of us are faint of heart. Then we can sit on the sides of the pots and talk, cooling ourselves in the air. When one person falls in, the others can reach out and pull them, or jump in and buoy them. But no one has to keep simmering forever. I invite you to start getting ready for the climb out. The water makes it harder because it offers resistance, but that means you will build muscle so much more quickly.
Love,
Rachel
Friday, January 24, 2014
The Greater Good
This post contains spoilers about the movie Hot Fuzz.
I have had a post rolling around in my head for a long time. I watched the movie Hot Fuzz a few months ago, and especially at the beginning, I found myself thinking of the book A Church of Her Own. The movie is a hilarious spoof of the cop genre, done by some of the same folks as Shaun of the Dead. It begins by establishing that the main character is great at his job as a policeman in London, but it turns out he is too good. He's making the rest of them look bad! So the higher-ups ship him off to a tiny, sleepy town in the country. He learns that the crime rate is extremely low, though the accident rate is curiously high. Eventually, he discovers that the neighborhood watch has been killing people who make the town look bad, mostly for absurd reasons like building an unsightly house, acting badly in community theater, or even just having an annoying laugh. These people put the town's standing as Village of the Year in jeopardy. The murders are all made to look like accidents, which is why the accident rate is so high. The refrain throughout is that everything is for "the greater good" (which is always echoed in agreement by at least one character, never said just once in this movie). At the end he is able to persuade the rest of the police officers to think differently about "the greater good" and save the day. It's great and you should watch it, preferably a bunch of times, because it gets a lot better with each viewing.
A Church of Her Own is a nonfiction work about women in ministry. It is full of discouraging, disheartening anecdotes about senior pastors (men and women) belittling, ignoring, or undermining female associate pastors, as well as congregations and communities that don't know what to do with a pastor who's a woman. Story after story made me hang my head. People were fixated on women pastors' appearance and clothing, commenting on that instead of the sermon--even if she was wearing a robe or alb, people often talked about her shoes, nail polish, hair, or jewelry! If I needed any confirmation that women are often seen as objects to be beheld, not people with something to say, this book provided it. It ends on an uplifting note, with a few stories of exciting work women are doing in ministry. I recommend it to anyone who has a vested interest in churches.
Here's what made me think of the book while I watched the movie: the main character was treated a lot like the women in the book. Not objectified, but often ignored or waved away as a naive newcomer or an overachiever who was not appreciated for pointing out what others had missed. As I said, it's been months, and specific examples aren't coming to me, but this is a blog, not a dissertation. One day I'll go back and read the book and watch the movie and bring in some quotes. The idea is that he disrupted the status quo by trying to do the right thing, like looking into accidents that seemed suspicious. What he was doing, what lots of ministers of any gender do, is for the greater good. There's nothing inherently wrong with comfort, routine, the way we've always done it. But when someone comes along who doesn't know the code or doesn't care to follow it, or who asks questions that unsettle us, or who wants to dig deeper when we prefer to stay on the surface, or who has a different perspective, let's listen to them. Let's not dismiss them as not knowing anything because they're not like us. Let's not pat them on the head and tell them not to worry. Let's take them seriously. Let's welcome them into our lives and communities with genuine care and curiosity about who they are and what they are about. Let's not be like the village or like some of the churches and individuals in the book. Let's take a chance and turn our faces outward from time to time. For the greater good.
I have had a post rolling around in my head for a long time. I watched the movie Hot Fuzz a few months ago, and especially at the beginning, I found myself thinking of the book A Church of Her Own. The movie is a hilarious spoof of the cop genre, done by some of the same folks as Shaun of the Dead. It begins by establishing that the main character is great at his job as a policeman in London, but it turns out he is too good. He's making the rest of them look bad! So the higher-ups ship him off to a tiny, sleepy town in the country. He learns that the crime rate is extremely low, though the accident rate is curiously high. Eventually, he discovers that the neighborhood watch has been killing people who make the town look bad, mostly for absurd reasons like building an unsightly house, acting badly in community theater, or even just having an annoying laugh. These people put the town's standing as Village of the Year in jeopardy. The murders are all made to look like accidents, which is why the accident rate is so high. The refrain throughout is that everything is for "the greater good" (which is always echoed in agreement by at least one character, never said just once in this movie). At the end he is able to persuade the rest of the police officers to think differently about "the greater good" and save the day. It's great and you should watch it, preferably a bunch of times, because it gets a lot better with each viewing.
A Church of Her Own is a nonfiction work about women in ministry. It is full of discouraging, disheartening anecdotes about senior pastors (men and women) belittling, ignoring, or undermining female associate pastors, as well as congregations and communities that don't know what to do with a pastor who's a woman. Story after story made me hang my head. People were fixated on women pastors' appearance and clothing, commenting on that instead of the sermon--even if she was wearing a robe or alb, people often talked about her shoes, nail polish, hair, or jewelry! If I needed any confirmation that women are often seen as objects to be beheld, not people with something to say, this book provided it. It ends on an uplifting note, with a few stories of exciting work women are doing in ministry. I recommend it to anyone who has a vested interest in churches.
Here's what made me think of the book while I watched the movie: the main character was treated a lot like the women in the book. Not objectified, but often ignored or waved away as a naive newcomer or an overachiever who was not appreciated for pointing out what others had missed. As I said, it's been months, and specific examples aren't coming to me, but this is a blog, not a dissertation. One day I'll go back and read the book and watch the movie and bring in some quotes. The idea is that he disrupted the status quo by trying to do the right thing, like looking into accidents that seemed suspicious. What he was doing, what lots of ministers of any gender do, is for the greater good. There's nothing inherently wrong with comfort, routine, the way we've always done it. But when someone comes along who doesn't know the code or doesn't care to follow it, or who asks questions that unsettle us, or who wants to dig deeper when we prefer to stay on the surface, or who has a different perspective, let's listen to them. Let's not dismiss them as not knowing anything because they're not like us. Let's not pat them on the head and tell them not to worry. Let's take them seriously. Let's welcome them into our lives and communities with genuine care and curiosity about who they are and what they are about. Let's not be like the village or like some of the churches and individuals in the book. Let's take a chance and turn our faces outward from time to time. For the greater good.
Thursday, December 12, 2013
Mark: The Story of God’s Rule
Friends, today's post is an assignment for my New Testament class. Enjoy! I might actually do something similar for the other gospels, so let me know if that is appealing or appalling.
When you think about the gospels, do you differentiate much
among them? What does it mean to you that we have four different versions of
Jesus’ story? I’m finishing up my first semester of New Testament in seminary,
and even after reading them many times on my own, I am amazed at how different
the gospels are. Mark stands out as particularly divergent from what we might
think of as Christ’s story if we are familiar with it. There are several ways
Mark has shocked me during this class.
First, the beginning and ending are
shortened basically not there, at least not in the forms we find in
other gospels. Mark has no birth narrative (meaning this time of year no one
wants to read it!). No mention that Mary was a virgin, no shepherds, no barn
full of animals, no wise men/kings, no angels. The story starts with a brief
introduction of John the Baptizer, and Jesus first appears when he comes to him
to be baptized, as an adult. The ending, too, is abrupt and seems to leave out
a lot if you expect a resurrected Jesus to appear. Even if I hadn’t been
studying the history of the gospels, I think it would be pretty easy to see why
people think Mark was written first. It’s a very basic, straightforward version
of the story. It feels like there’s no time for details—even if the writer
believed there were angels and a virgin birth and such, which is doubtful, he
deemed them non-essential and decided to make his point without them.
Second, as
you may have discerned from the lack of birth narrative, Jesus is remarkably non-divine
in Mark. God does say, “You are my beloved son. I delighted choosing you.” But
the idea of being a son in this story is not supposed to mean Jesus is godlike.
It means Jesus gets God, understands what God is trying to do, and wants to
help God do it, presumably more than anyone else. It’s like on The West Wing when Jed Bartlet refers to
Josh Lyman as his son (in the episode “Two Cathedrals”). Not a blood thing, but
a sense that in his gut, Josh understands Jed’s purpose just as well as Jed
himself does, and he is all in, willing to go anywhere with him to pursue it. The
idea that being God’s son makes Jesus divine came later, as Matthew and Luke
built on Mark.
A third
mind-bending trick of Mark is not necessarily intrinsic to the text itself but
is a compelling reading I found in Mark As Story by David Rhoads, Joanna Dewey, and Donald Michie. The authors say
Mark, like other gospels, is often read as a story of Jesus’ execution (at the
end) with a whole heck of a lot of exposition, introductory material. They
choose to read it instead as a story of God’s rule breaking into the
established world (at the beginning), with a lot of dénouement. They make a
really convincing argument for it, and I recommend the book to anyone who’s
interested in this stuff. Much of what I say in this post comes from it.
Anyway, it’s Jesus’ baptism, just a few verses into chapter 1, that inaugurates
the rule of God, and the rest is the story of how that plays out. This reading
changes how we pay attention to the story. If we think the important part is at
the end, we’re likely to rush through a lot of the scenes and just get the gist
so we can move on. If we think the main part happened at the very beginning, we
have new eyes with which to read the rest. So we can see Jesus perhaps not as a
doomed, tragic figure but as a person—as we established earlier, not a divine
character—whose faith in God is so central to his life that he overcomes fear
and pain because he believes his death will serve God and others. Still pretty
tragic in some ways, but for me there’s an awe in this second reading that isn’t
there in the first, as well as a loud and clear call of encouragement and challenge
to the original listeners.
That brings me to a fourth point,
the way the context shaped the meaning. Those who listened as Mark’s gospel was
performed, at least some of them, would have been facing persecution and death
not just because they followed Jesus but because they wanted what we would now
call social and economic justice, and they believed in power that is expressed
not in force but in service. Sometimes I think it’s not hard to picture how
threatening this was to the people who had power at the time, because it’s
still so threatening now. But then I think about how much worse it was. They had
no such thing as political correctness and not even a reason to appear to care about people. It was
pretty acceptable, as I understand it, to look out for yourself and your
friends and act in your own interests. That definitely still happens, but when
it does, other people sometimes find out and speak out. At the time this was
written, there was no accountability like that. Mark came soon after the
Roman-Judean war in 66-70. It was a peasant rebellion against Roman and Judean
elites, and boy, did it not end well. The Romans destroyed towns and farms
throughout the whole area of Galilee and Judea, and they burned the temple in
Jerusalem. That’s what happened when you tried to speak out against anything powerful
people were doing. Sometimes I’m angry with congress or other people in
control, but I don’t run the risk of having my entire city destroyed if I say
something. The people this story was written for felt like they had to choose
between doing what was right and saving their own lives. Jesus’ story no doubt
gave them something to cling to.
Alongside the potential
encouragement in the story, there is an unmistakable challenge, point #5. As I
studied that abrupt, unresolved ending, I kept thinking of the parable that is
often called the story of the prodigal son. It doesn’t appear in Mark, so it’s
not entirely academically appropriate of me to mention it here, but the
connection is this: the parable ends with the father telling his older son that
his brother’s return is something to celebrate. The gospel of Mark ends with
three women fleeing from Jesus’ tomb. In both cases, the story acts as a
question to the listener or reader. When something is left unresolved like
that, we get to be the decider and think about how we want to respond, how we will respond. In the parable, we think
about the older brother’s options. In the gospel, ideally, we see ourselves as
the ones who now have the opportunity to tell what the women didn’t tell at the
time. Especially in the original context, that ending was an invitation to pick
up where they left off.
That’s it for now. Hit me with
comments. What do you think of all this?
Labels:
faith,
gospel of Mark,
Mark As Story,
New Testament
Sunday, December 1, 2013
Hurry Up and Wait. Sermon for December 1, 2013
Hi friends, here's the sermon I preached today at Ashland (VA) Presbyterian Church, where I'm doing my internship. I've never posted a sermon before, but I understand it is a thing people do! The texts were Isaiah 2:1-5 and Matthew 24:36-44. Advent, y'all! Enjoy.
I’d like to start
by wishing all of you a happy new year!
Even after all the Advents I’ve
experienced, I didn’t quite put it together until this time that this right
here is our new year’s day. It’s good to celebrate the other one, especially
since JANUARY FIRST IS MY BIRTHDAY!, but the first Sunday of Advent, today, is
the beginning of the church year just like that’s the beginning of the calendar
year.
So let me ask you, what does the new year mean to you? What is special
about that time?
For me, it’s a balancing point where we look back and forward
at the same time. I like to take a little time around the new year to think
about what happened in the last year, how I’ve grown and changed, things I want
to remember and carry with me as I move forward. I don’t usually make new
year’s resolutions, but when I look back like that, it does make me think about
how I might like to do things differently in the future.
I also like to clean
the house really well and watch the Rose Bowl parade, but I don’t see those
rituals reflected in today’s readings, and we do have some good words about
looking back and looking forward.
It’s easy to talk
about the looking-forward part. Advent has a lot to do with that. Getting ready
for Christ’s coming, preparing, waiting, straining our eyes toward the future
we so eagerly desire. The Isaiah text today is all about how great it’s going
to be. God’s mountain will be taller than all the others, and not just Israel
but all people will stream to it because they want so badly to hear God’s word
and instruction. Also, no more war! The weapons are going to be turned into
tools of nourishment, sustainability, community. We won’t have to get by on our
scraps and fading memories of spiritual moments, because we’re all gonna be
with God, together!
I don’t know about you, but I can’t get enough of this. Apparently
I’m not the only one, because the bit about the swords into ploughshares shows
up four times in the Hebrew Bible. There is something really powerful about
those images and the feelings they give us.
Speaking of
powerful images, I don’t think it says in the book of order or the book of common
worship that I have to talk about consumerism and materialism now because Christmas
is coming, and I’m pretty sure we’ve all heard about and experienced how
difficult it is to be a faithful follower of Christ, focused on the important
things, when there are advertisements for toys and jewelry and sparkly presents
and indulgent foods everywhere we look. Actually, I didn’t want to bring that
up because I’ve heard sooo many sermons and read so many devotions about it.
But, wouldn’t you know, there’s a time for every purpose under heaven. What I
want to say about the Christmas-industrial complex is this: the images in
advertisements, and in the songs and stories and movies that are sometimes
little more than thinly-veiled advertisements, they draw us in for a reason.
They show us things that God made our hearts to want: togetherness, generosity
to strangers and loved ones alike, peace, healing of wounded relationships, and
a childlike sense of wonder at the mystery of Santa Claus or God. In fact, if you take out the plug for a
particular product, lots of those messages are really similar to the things we
see in Isaiah and elsewhere in the Bible. So what is it that makes this passage
different from a well-done, heartwarming commercial for God?
There are a lot of
things, and since I can’t have your ears all day to talk about them, I’m
focusing on one: looking back. We don’t see it very explicitly in this passage,
but Isaiah was written for a people with history. Their relationship with God
is, to say the least, complicated. On-again, off-again, will they, won’t they?
The Israelites were, let’s be honest, they were not so great. Let me be
lightning-quick to say we are a lot like them, as a people and as individuals.
Along with them, we betray God and worship idols. Along with them, we hedge our
bets out of often-unspoken fear that God will not come through for us, that
when it comes down to it we are our only hope. Along with the Israelites,
sometimes we just forget about God altogether and hum along as if we were never
chosen, called, or saved, as if our lives are small and insignificant. This
history, and so much more, is the foundation for what Isaiah says.
If we look at the
perfect family from any commercial, those images are unreal and meaningless
partly because we don’t know the back-story and it’s assumed that there is none.
If the commercials lasted a few years and let us get to know the people, maybe
I’d believe the love and peace they conveyed. If I knew that the kid in the
footie pajamas with the perfect hair had just spoken words of true repentance
and reconciliation to his sister after an argument, maybe the image of the two
of them smiling with their arms around each other would mean something. If I
knew that one of the parents had slept on the couch the night before but then
the other spouse had embraced them with real forgiveness, maybe their on-screen
embrace would mean more. If I knew that the college-age daughter had
contemplated spending this holiday away from her family because she had been
doing drugs or she had a girlfriend or her boyfriend was of a different race,
but decided to come home and be honest with them and been welcomed, perhaps with
some hesitation or confusion but with the same open arms as always, her smile
would make it so much more than an advertisement. It would be a story, a real
story about real people who mess up and give up and then try again at the
surprisingly hard task of loving each other. It’s only when we look back that
we can know what is really happening now and what could happen next. After all
the fighting and killing that’s gone on between Israel and other nations, the
images of all nations streaming toward God’s mountain together are so much more
powerful. They have sometimes been horrible neighbors, but God promises to set
things right and that God’s word will overshadow—not erase, but overshadow—all
of those divisions and hurts.
This type of looking
back happens more explicitly in the Matthew passage. In telling us that no one
including himself can know exactly what to expect, Jesus reminds us of Noah.
Actually, not Noah himself but the people who lived at the time of the flood
and didn’t know it would happen. They kept on living their lives as usual, not
knowing that each day brought them closer to the end of the whole world as they
knew it. Jesus says we don’t have to know the day or hour to be prepared for
God’s kingdom, at least more prepared than they were for the flood. But that’s
not an easy thing to try to do. How do we hold ourselves in readiness if we
have no idea when it’s happening or even what exactly to be ready for? Well,
here’s one idea that kind of helps me when I’m trying to think about this.
There’s a composer
named John Cage. He was basically contemporary, he died in 1992, and he’s known
for what I like to call crazy music. He composed music for the prepared piano,
which means he would put various objects like bolts and screws on the strings
to alter the sound. I heard a piece by him once that involved several people
sitting in a row with radios tuned to different frequencies and turning them on
and off at set times. The piece that he is probably best known for is called 4'33" [pronounced "4
minutes and 33 seconds"]. Here’s what happens. Any instrument or combination of
instruments can perform it. The performer goes to the piano, or puts her violin
under her chin, or they raise their wind instruments to their mouths, and then
they don’t do anything. They just stay that way. Poised to start playing, but
with no sound. The audience at first is expectant, then probably uncomfortable.
As they start to realize they’re not going to hear music in this piece, they can’t
help but pay attention to other sounds in the environment. Creaking auditorium
seats, shuffling feet, rustling programs, coughs, whispers. And that’s John
Cage’s point. He wrote 4'33" to call attention to those
sounds. To say, this is a kind of music, and I hope you will hear the beauty in
the common sounds you rarely notice. He puts the audience in an expectant and
ready place, and then he points to a kind of music they probably never thought
of. This is how we can be ready and not know what for or when. We can try to
pay attention to the things and people we usually pass by, because God composed
that crazy music for us to listen to.
I had another
church internship a long time ago, and one of the first things the pastor said
to me was, “Do you like to read? Because you should probably have a book with
you most of the time. It’s a lot of hurry up and wait.” He was saying that like
it was a bad thing, and yes, that can sometimes be very annoying. You get
yourself all ready to do something important, something big and exciting, and
then you end up standing around for minutes or hours, sometimes years, waiting
for the go-ahead, waiting for the right time, waiting for someone to hire you,
we might not even know what we’re waiting for.
But I’ve found that, especially
when it comes to ministry, there’s really not such a big divide between those
big important moments and the time we spend looking for them. When I went on
mission trips with my youth group in high school, the van ride was sometimes
the highlight of the trip. We were waiting to get to the place where we were
gonna do God’s work, but in the meantime, we got to know each other better and
goofed off and made memories and shared snacks pretty much like the early
church--nothing belonged to any individual but it was all communal property,
the pretzels and the Twizzlers and the Skittles and the granola bars. I think
that counts as God’s work, and I don’t think we knew it at the time.
More
recently, the experience of being in seminary is occasionally very frustrating,
and sometimes I just want to graduate and get a call to a church and start my
ministry already! But then I think, isn’t that shortchanging my life now and
kind of an insult to everyone who’s not ordained? Have we really spent almost
three years in a holding pattern, not doing ministry because we don’t have a
degree yet? Wrong. My classmates and professors minister to me and each other
all the time! And we have internships and committees and all sorts of ways that
we are doing ministry, even if on some days it feels like we have hurried up
just to get here and wait.
That’s just my experience; everyone feels at times
like they are not doing anything important, like they are just waiting for the
next big thing, sitting in that auditorium seat waiting to hear the music
start. But we can listen to people like John Cage who say, hey, this other
stuff is worth listening to. It doesn’t have to be a big production. We can
learn and grow and serve while we wait, and it might turn out we’ve been right
where we belong. We can believe when Jesus says the kingdom of God is among us.
Maybe that means it’s already here, but it’s so subtle or so common that we
ignore it. Maybe our call is to perk up, wake up, and see what has already been
going on: the acts of mercy and justice that occur every day.
They are smaller
and often deemed less newsworthy than the painful stories we are used to. But a
friend of mine had the stranger in front of her pay her toll on the Jersey
Turnpike when she was traveling for Thanksgiving. Another friend is going to
start not one job but two this week after a long and frustrating search.
Countless people this past week at family gatherings played games they didn’t like
so that children would feel loved and important. People who’d never imagined
anything but a traditional turkey dinner learned to cook vegetarian dishes, or
vegan or gluten-free, for the sake of loved ones.
These happenings, and so many
others, they might not look like much, but neither does a mustard seed.
When
Isaiah says, “Come, let us walk in the light of the Lord,” he’s been talking
about the future for the whole passage, but that line is in the present. "All
this is going to happen," he says, "and here’s what I invite you to do together
now."
The light might be as faint as the light that shows at the edges of a
door, just barely illuminating our own space, but we know it is bright on the
other side, and we can see enough to get there.
Or the light might come only in
brief flashes and then leave us in darkness, but it’s enough to take the next
step, and we know it will come back when it’s time to move again.
One day we
will be where God is, and we will not need or want to go anywhere else. But
right now, we walk in the light because we are getting closer to God’s
mountain, little by little, together, starting with this first day of the new
year.
Amen and amen.
Labels:
Advent,
Christmas,
Isaiah 2:1-5,
Matthew 24:36-44,
sermons
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